Black Friday 2024 Specials at My Online School of Sketching

Black Friday is here, and I’m thrilled to announce something special for all aspiring sketch artists, designers, and creatives!

For a limited time, selected online courses on interior and fashion sketching are available at exclusive discounts.


If you’ve been waiting for the perfect moment to level up your sketching skills, now is the time. Whether you’re looking to master perspective drawing, create stunning hand-rendered designs, or explore fashion illustration techniques, these courses are designed to help you achieve your goals.

Don’t Miss Out!

This special offer is only available until December 2, 2024, so act fast!

To claim your discount, simply use the coupon code BF24 at the checkout page.

Why Join?

• Learn at your own pace with detailed, step-by-step lessons.

• Enhance your creative portfolio with professional techniques

Head to my Online School now and use this opportunity to invest in yourself and your creative future!

Interior Sketching:

Fashion Sketching:

Please remember, this special offer is only available until December 2, 2024, so act fast!

To claim your discount, simply use the coupon code BF24 at the checkout page of any given course.

 

Happy shopping and happy sketching this Black Friday!

Olga Sorokina

Christmas Gift Guide for Creatives: 10+ Original Gift Ideas + Drawing a Christmas Martini Card Tutorial

With Christmas around the corner, here is my Christmas and New Year gift guide for creatives:

 

📓 Art supplies are always a great idea!

Here is one of my must-haves for this holiday season. If you love sketching on location, pleinairs, urban sketching, you will love it:

  • Winsor & Newton Pocket Box (really light-weight and handy when traveling and sketching on location), there is even a travel brush inside the set! Link

  • Hahnemühle Watercolour Sketchbook with good quality 300 g/m2 paper, one of my favourites, I’m going to order a few of those: Link

  • Escoda Ultimo Brush, Size 10. My go-to round watercolour round brush for travel sketching, just fantastic! Link

  • Escoda Short-Handled Watercolour Brush Set for those who are serious about watercolour sketching on location and want three various size/form brushes. Beautiful canvas carry case do in hand with this stunning set. Link

Fineliners! Here are some artist’s classics:

  • Pigma Micron Set of 6 Link

  • STAEDTLER Liners for Sketching, set of 6 Link

  • Famous Copic Multiliners (Various Colours Set) Link

🧑‍🎨 Home for markers, so finally everything will be well-organized (example)

🎁 A gift card to your local (or online) art supply shop or your art gallery/museum shop

✍️ A sketchbook or a set of sketchbooks with great paper quality and in various sizes (from the tiny A6 for quick sketches on location to bigger formats like A4). Here are a few of my favourites:

  • Leuchtturm Sketchbook Link

  • Moleskine Art Collection Sketchbook (in various colours) Link

  • Canson XL (for markers, watercolour, all things drawing) Link

📚 Books, books, books! On art history, design, artists, art, creativity, you name it (a couple of book title ideas you can check in this article on my blog). Here is the link to my book “The SKETCH. Interior Design Drawing“.

✍️Pencil case (always handy!), (example)

👍🏼Desk tech organizer to keep that creative chaos a bit more tidy (example)

👨‍🎨 If you love drawing on an iPad, consider ProBundle from Paperlike. It is the original matte screen protector for creators that feels like you're using real paper when drawing with your Apple Pencil.

📔 A beautiful notebook for journaling/planning/doodling, it should be really beautiful and with nice texture, so you want to put your hands on it daily (example from Moleskine)

🎨 Marker sets, good quality coloured pencils, depending on which technique you or your Creative prefer (I share my favourite marker sets here)

💳 Membership at Skillshare, Domestika or Masterclass, or any another creative platform where you can learn new great skills

🧑‍🎨An easel or a portable easel for plein airs

🧑‍🎨Big and adjustable table (so they can either stand or sit in front of it), (example)

💻 Online course on interior sketching/fashion drawing/Procreate, you name it (in my Online School you can get a course as a gift option at the checkout)

As an Amazon Associate I earn from qualifying purchases, so whenever you make a purchase — I get a commission at no extra cost to you.

P. S. If you found this list helpful — please share this blog article on your social media. Thanks in advance!

 
 

Merry Christmas and Happy New Year! Let this holiday season be filled with creativity and joy for you and yours!

Olga Sorokina


Sketch “The Christmas Martini“ Card with me, watch the replay from my live zoom session:


I welcome you to join my Xmas Drawing Challenge on my YouTube:


Read more from my blog:


check my podcast episodes

(MEANINGFUL CONVERSATIONS WITH ARCHITECTS, ARTISTS, AND DESIGNERs)

Once Upon a Time There Was a Little Child Who Loved to Sketch...

...Once upon a time, there was a little girl and a little boy who loved sketching and drawing.

They would sit for hours, sketching everything they saw—from the trees in the park to the cozy corners of their home. Every line they drew told a story, and their imagination knew no bounds.

As they grew older, their passion for sketching deepened. They decided to pursue their dreams and enrolled in architecture school. They honed their skills, mastering the art of design and architecture.

Eventually, they opened their own design firm, where creativity flowed through every project. But as time passed, they became wrapped up in the demands of daily routines, meetings, and client deadlines.

The joy of sketching, which had once sparked their creativity, began to fade. Sketching felt like a distant memory, replaced by endless tasks and schedules. But one day, they realized something important: the magic of sketching still lived within them. It just needed to be brought back to life. And so, they made a vow—to bring the fun and spontaneity of sketching back into their lives and their designs.

Now, it’s time to do the same for you!

Honestly, we, adults, are simply overgrown toddlers. The more I watch creative people in my life (myself included :-) — the more I come to this conclusion. We need fun, we need creativity in our lives.

Join the Sketching Retreat 2024, where we’re putting the fun back into interior design and architecture!

This October, we’re opening the doors to a completely free retreat with over 50 amazing workshops led by top instructors from around the world. I’m truly honored to be teaching one of these sessions, where I’ll show you how to draw interiors quickly using markers.

Let’s rediscover the joy of sketching together!

Here’s the link to join the fun:

I hope you enjoyed my little fairy-tale, my dear Creative :-)

See you on the inside!

Olga Sorokina


Read more from my blog:

How to Draw Interiors Fast?

If you want to speed up your sketching, here are some of my key tips to help you draw faster without losing quality:

1. Practice Gestural Drawing:

Quick, loose sketches help capture the essence of your subject. I love practicing with live model drawings—it’s a fantastic way to improve speed and fluidity.

2. Master Marker Techniques:

Learn how to use different marker widths. For example, a wide chisel nib is great for covering large areas quickly, while a thin nib is perfect for finer details. Rotate the marker in your hand to create lines with varying thicknesses.

3. Leave White Space:

Don’t feel the need to color every single detail. Leaving white space gives your drawing air and makes it feel more alive. Let your sketch breathe!

4. Use What I Call “Enlivenings” in My Book “The SKETCH. Interior Design Drawing”:

These are quick fine-tuning touches—add accents or a few design objects to bring your sketch to life in seconds.

5. Time Yourself:

Set a time limit. Often, working under pressure forces you into your creative brain, bypassing overthinking. Quick sketching is liberating!

6. Use a Limited Color Palette:

Choose a palette of 3-4 colours and stick with it. Test your colours on a scrap of paper to make sure they work well together—keeping it simple speeds up the process.

Check the bonus tip, watch my today's video on YouTube: click here to watch

In that video, you can see 3 quick sketches I teach how to draw in my brand new lesson in PRO online course.

Learn how to draw interiors like a pro, master advanced sketching techniques, and take your skills to the next level. Check out online course PRO details here: click

Check my blog archive: here

Happy Sketching!
Olga Sorokina

Interior Sketching Series: A Recap of My 1-,2-,3-Point Perspective Demos

Welcome back to the blog!

Over the past few weeks, we've embarked on an exciting journey through the world of interior sketching. Our three-part series covered essential techniques to help you create stunning interior sketches with confidence and ease.

In case you missed any of the sessions, here's a comprehensive recap of what we learned.


Day 1: Understanding 1-Point Perspective

On the first day, we dove into the basics of 1-point perspective with a practical sketching demo focused on a bathroom.

Key Takeaways:

- Vanishing Point: The concept of the vanishing point and how all lines converge towards it.

- Horizon Line: Placing the horizon line correctly to establish the viewer's eye level.

- Drawing a Bathroom: Applying 1-point perspective to sketch a bathroom, emphasizing depth and proportion.

 

Day 2: Mastering 2-Point Perspective

Building on our foundation, day two was dedicated to 2-point perspective with a focus on sketching a dining room.

Key Takeaways:

- Two Vanishing Points: Understanding how to use two vanishing points on the horizon line to draw objects at an angle.

- Drawing a Dining Room: Moving beyond simple shapes to sketch a dining room, capturing its dynamic angles and interior elements.

- Practical Applications: Using 2-point perspective to sketch furniture, room corners, and various interior elements from different viewpoints

 

Day 3: Exploring 3-Point Perspective

Our final session introduced the advanced technique of 3-point perspective with a focus on a wardrobe interior.

Key Takeaways:

- Three Vanishing Points: Adding a third vanishing point, below the horizon line, to create a sense of height and depth.

- Drawing a Wardrobe Interior: Understanding how the addition of the third point distorts the objects, making them appear more three-dimensional.

- Applications: Practical demo of using 3-point perspective to sketch tiny interiors like wardrobes, home offices, etc.

Mastering 3 points allows you to bring a new level of dynamism and drama to your sketches, making them truly stand out.

 

Additional Resources

Materials Used: Sketchbook, Markers and Fineliners

For all days of the series, I used markers and fineliners to create the sketches. These tools are essential for achieving clean lines and vibrant colours in your interior drawings. Here are the Amazon links to the materials I used:

- Markers: I use Sketch&Art Terracotta in the videos, but here is an Amazon set of 60 Colours https://amzn.to/4bu1aLZ

- Sketchbook: I used similar to this one, Hahnemuehle size A5 https://amzn.to/4bt1Elq

- Fineliners: I used Milan Sway fineliner on Day 1 https://amzn.to/3zrs9KZ , for Days 2 and 3 I used a waterproof fineliners from UniPin https://amzn.to/4f9YBBT

 

Instagram Live Stream: Perspective Drawing

Between Day 2 and Day 3, we had an insightful Instagram live stream where we delved deeper into perspective drawing. We discussed tips and tricks, I answered your questions, and provided additional information on my online course BASE. Watch the replay.

 

Live Q&A Session: Final Thoughts and BASE Course Introduction

To wrap up the series, we held a live Q&A session on Instagram where I answered your questions and provided further insights into interior sketching. During this session, I also introduced my online course, BASE, which offers comprehensive lessons, community support, and exclusive content designed to take your interior sketching skills to the next level. Watch the Q&A replay here.

 

Wrapping Up the Three-Part Series

Throughout this series, we've covered the essential perspectives that form the backbone of interior sketching. From the basics of 1-point perspective to the complexity of 3-point perspective, each session built upon the last to enhance your sketching skills.

I hope you found these sessions both informative and inspiring. Sketching interiors is not only a valuable skill for designers but also a rewarding creative outlet. Remember, practice is key! The more you sketch, the more confident and proficient you'll become.

 

What’s Next?

If you enjoyed this series and want to dive deeper, I invite you to join my online course, BASE. It offers structured lessons, and in-depth exclusive content to help you master interior sketching. Learn more about the course here.

Thank you for following along, and I can’t wait to see the incredible sketches you create! Use the hashtag #SorokinaStudents on Instagram and tag me @schoolofsketching so I can see your drawings.

P.S. Enjoyed the article? Please share it with your creative friend, let’s spread the word about interior sketching together.

© Olga Sorokina, 2024

 

"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice

(Perfect if you are a novice in drawing interiors, interior designer, id/architecture student)

 

Read more from my blog:

Blog archive: here

"BEFORE" and "AFTER": interior sketches made by my students (fantastic progress)

Recognizing your progress is essential. At times, it may seem like you're endlessly drawing without seeing improvement in your skill level. However, by comparing two drawings—one from now and one from a year ago—you'll immediately notice the changes. Allow me to showcase a few examples from my students where the results speak volumes. As I love to say: “Practice makes progress“.


1 Example

Take a glance at the sketches by my student, Kate, before and after enrolling in my courses. The transformation is remarkable, wouldn't you agree? We witness not only a mastery of perspective but also a skillful depiction of textures and an impressive presentation of interior design ideas. Kate successfully completed the comprehensive “BASE+PRO“ Bundle at my Online School.


2 Example

Similarly, observe the watercolor works of another student, Polina. Post-course completion, Polina's drawings exhibit enhanced detail and professional rendering. Polina diligently completed all of my interior sketching courses, including WATERCOLOR, BASE+PRO, TEXTURES.


3 Example

In the "BEFORE" photo, you'll find Anastasia's very first interior sketch from my perspective challenge. Following her completion of courses in interior sketching (BASE+PRO, TEXTURES) witness the breathtaking "AFTER" result! It's worth noting that Anastasia's professional background lies in land surveying, without any formal training in the arts. Yet, her dedication and the guidance from my courses propelled her into a successful sketch artist.

4 Example

In the "BEFORE" photo, you'll find one of Heather’s very first interior sketches she made before enrolling in my online courses. Following her completion of my online courses in interior sketching BASE, FURNITURE, TEXTURES, PERSPECTIVE, take a look at the the outstanding "AFTER" result! I’m so proud of my students!

Practice makes progress
 

In each of these instances, my students transitioned into full-time freelance sketch artists, securing interior sketch commissions. It's inspiring to note that even with completion of just the "BASE" course, many students began receiving their first sketch commissions. This demonstrates that achieving success in this field is within reach for anyone.

For further inspiration, explore more sketches crafted by my students on Instagram using the hashtag #SorokinaStudents


Join hundreds of designers who are currently taking my Interior Sketching course.


"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice


 

DO YOU WANT TO IMPROVE YOUR SKETCHING LEVEL?

See the program of my online courses: here

 

HAVE A QUESTION?

Email me at olga@schoolofsketching.com


Read more from my blog:

The short story "You're in Florence"

The short story "You're in Florence."

Author: Olga Sorokina

You are in Florence. Or better - in Firenze... How delicious it sounds in Italian! 

You live with two friends two minutes walk to the Duomo in a 13th century stone house. This flat is rented to you by a classy Italian woman of about 45, she smells strongly of expensive perfume and you really like her large earrings. In a white trouser suit and heels, she shows you around this chic apartment and casually mentions:

- You even have your own access to the roof. Behind this door, up the stairs to the top.

The flat still has historic wooden beams in the great hall with three huge windows and even two stone fountains with lion masks built right into the wall. The view from your bedroom is like a postcard: hundreds of terracotta roofs of the hot daytime city, pigeons cooing just outside the window, and you already imagine waking up early tomorrow, sitting in a silk shirt by the window, putting your elbows on the sill and watching the city wake up, listening to its sounds, soaking in the colours.

It's a very hot summer this year, +40 C, you and your friends even seriously considered switching to living at night and sleeping during the day. Climbing Giotto Tower this morning up the narrow endless stairs was a challenge for everyone (you were really worried about the old lady who bought tickets after you) but the view from the top was worth it. There's a reason they call Florence "the stone bag." It's also hot.

My friends say:

- We're going to go buy bread, wine and slices.

You close the door behind them and run to that door.

Climb a few steps up a very narrow and short stone spiral staircase, open the heavy old door, hear the sounds of dozens of wings of disturbed pigeons and say on an exhale:

- Wow!

In front of you is a mosaic of the city in all shades of terracotta and ochre. You suddenly understood why these colours have Italian names: siena, umber... And the main thing is the dream view of the Palazzo Vecchio. You drew it in the second year of the academy in perspective classes, and now you see this tower, these proportions with your own eyes. It's like you're in your old art history book. It's breathtaking.

Your feet are already touching the warm and rough tiles and your mind is flashing :

- I hope it's not as old as this house, just as long as it doesn't go!

You tread carefully on it. You sit down, enchanted by this moment and stare at the city for a long, long time. You want to paint, but you don't want to go anywhere, not even for a moment to lose this view. You're alone with the city. It's as if you were in a Vrubel painting now.

It's evening, the heat of the day is gone. You think of the Renaissance, of all those old masters who lived here. They were young, they loved and they created. History was being made in this city in the 15th century: the kind of culture and painting that would influence art for centuries to come. And you are here now. 

Painting like the old masters... friends barely got you out of the Uffizi Gallery yesterday. The bells of the Palazzo Vecchio are ringing, the long diagonal feather-like clouds are coloured apricot pink. 

You squeeze your eyes shut:

- It feels so good!

You suddenly realise that Florence is your favourite city in Italy. You hear the front door open, the voices of friends and the rustle of packages and, anticipating the taste of ciabatta with salt and olive oil, you run downstairs.

From my Italian memories. 

Olga Sorokina, June 2024


Please write your feelings, impressions from this story in the comments below and let me know if you want more such short stories from me in the future.

© Olga Sorokina


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Interior Drawing: My 3 Rules of Custom Sketches

Having honed my craft working with esteemed interior designers since 2007, I've distilled three essential rules for custom sketching.

These rules are the product of my experience, offering guidance for success in the custom sketching world.

Let’s dive deeper in this article.


Rule #1

The first rule of custom sketching is: "Never draw to order without prepayment".

It is best to draw on prepayment of 100% or 50%. With 100% it's clear, you get paid first, then you start sketching. So your nerves will remain in the most healthy state :-) Of course, the customer in this case needs some proof that you do not disappear, do not leave him and draw everything qualitatively and in time.

Rule #2

The second rule is, "Never draw for someone for free!"

If for someone this rule is not obvious, then know that drawing to order for free/for nothing/for the goodness of your heart/for a portfolio you thereby discredit yourself and other artists. It is interesting to note that when you offer to draw for free, your reputation and professionalism fall in the eyes of the customer. Incredible but true! By the way, I'll tell you in confidence that decent customers try to stay away from such sketchers-altruists, afraid that they may be let down or do not meet expectations for the quality of work and deadlines. For them it looks like just inadequacy, also it is disrespect for their labor, and often themselves from a professional point of view, plus insecurity.

Rule #3

Third rule: "Name a decent price for your sketches".

No sketches for 15 dollars. Customers, who will appear in your life for such a price, most likely, will suck all the energy out of you, you will spend a lot of time/nerves on drawings, plus, you will be constantly asked to redo something, to make new and new changes in the project and in the end, for 15 dollars you will sit for sketches for days on end, without seeing daylight, working non-stop in the equivalent of one or two working weeks of an ordinary person with an average salary. There's a very good English expression for this: "The more they pay - the less they complain”. Your clients are your mirrors, how much you value yourself, your talent and professionalism, the higher your confidence in what you do — the better and more well’ paid your clients will be. Trust me, I learnt that the hard way.

 

To summarise:

  • Rule #1: Never sketch without prepayment to secure compensation and reduce stress.

  • Rule #2: Avoid working for free, as it can harm your reputation and professionalism.

  • Rule #3: Set fair prices to maintain your energy and professionalism.

 

Now, if you're eager to delve deeper into the art of interior sketching, I invite you to join my online course on interior drawing. Let's unlock your creative potential and take your skills to new heights. Explore my course “BASE“ and start your journey to becoming a skilled sketch artist today!

P.S. Please share this article with your creative friend.

© Olga Sorokina, 2024


"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice


Blog archive: here

Perspective Drawing for Beginners: Welcome to My Perspective Series

Welcome to the culmination of our 3-Day Perspective Drawing Series, where we've delved deep into the art of creating depth and dimension on a two-dimensional surface. Over the past three days, we've explored fundamental concepts, practical techniques, and creative applications of perspective drawing.

Let's take a moment to recap the highlights from each day of this journey.


Day 1: Perspective Drawing Basics

On Day 1, we laid the foundation for our exploration by diving into Perspective Drawing Basics. We introduced the concept of perspective, the visual illusion that allows us to represent three-dimensional objects on a flat surface. Two crucial types of perspective were unveiled: the frontal view (1-point perspective) and the oblique view (2-point perspective). Through step-by-step demonstrations, we learned how to draw boxes in both 1-point and 2-point perspective, mastering the art of creating depth in our sketches.

 

Day 2: Mastering Circles in Perspective

Building upon our understanding from Day 1, Day 2 challenged us to tackle the intricate task of drawing circles in perspective. We learned how to overcome common challenges and avoid major mistakes when sketching ellipses, crucial elements for rendering cylindrical objects realistically. Through detailed instructions and hands-on practice, we honed our skills in drawing circles and ellipses, unlocking new possibilities for adding depth and realism to our artwork.

 

Day 3: Drawing Cylinders in 1-Point Perspective for Interior Design

In our final installment, we ventured into the realm of interior design, exploring how perspective drawing principles can be applied to create immersive spaces. Focusing on drawing cylinders in a 1-point perspective, we discovered techniques for rendering cylindrical objects within architectural contexts. From furniture to decorative elements, we learned how mastering perspective drawing enhances our ability to design and visualize interior spaces with precision and creativity.

 

Unlock Your Potential with Perspective Drawing

As we conclude our journey, I invite you to continue exploring the endless possibilities of perspective drawing. Whether you're a beginner seeking to master the basics or an experienced artist looking to refine your skills, the principles of perspective offer a gateway to boundless creativity and expression.

 

Elevate Your Skills with "Perspective Drawing for Interior Design" Course

Ready to take your perspective drawing skills to the next level? Dive deeper into the world of interior design sketching with my online course, "Perspective Drawing for Interior Design." Learn in the most efficient way from someone who has actually done it – me!

In this comprehensive course, I'll guide you through easy-to-follow, step-by-step instructions that fit your schedule. Whether you're a seasoned designer or just starting out, you'll gain the skills and confidence to win better projects, charge more than your competitors, and elevate your interior design game.

Don't just take my word for it – check out the rave reviews from students who have already enrolled in this course. Join us and unlock your potential with "Perspective Drawing for Interior Design" today!

 
 

One of the sketches from the course “Perspective Drawing for Interior Design“

Happy sketching!

P.S. Please share this article with your creative friend who might be interested in perspective drawing.

 

© Olga Sorokina, 2024


Read more from my blog

Check My Blog Archive: here

Interior and Furniture Design Trends in New Zealand and Australia + Hot on the Heels of Auckland Design Week

In this article, we delve into the captivating world of interior and furniture design in New Zealand and Australia, two countries known for their distinctive design aesthetics and innovative approaches to space styling. As an interior designer passionate about exploring design trends, I recently had the opportunity to attend Auckland Design Week, a vibrant celebration of creativity and innovation in design. Let’s dive deeper.


Auckland Design Week (March 10th-16th, 2024) was a real celebration of design: colourful, intense and incredibly exciting!

The event lasted a whole week, I managed to attend only 2 days, but I learnt and saw so much. These days were filled with masterclasses, lectures, performances, communication with designers. Auckland Design Week (ADW) reminded me of Isaloni in Milan or MaisonObjet in Paris. It was the first time the design festival was held in Auckland, and I managed to get to the premiere.

 

So what is it like, interior design in New Zealand?

I identified four main characteristics:

-Sustainable

-Focus on creating viable products

-Use of recycled materials

-Timeless

 

In New Zealand, people are as environmentally conscious as possible. The use of recycled materials is a trend of the last 20 years in interior design all over the world, but it seems that New Zealanders follow it particularly scrupulously.

In terms of the design itself, I concluded that local designers prioritise quality over the external component. Interiors, furniture - minimalistic, but this direction is just dictated by the three main characteristics I wrote about above.

Terracotta colours, stripes and graphics are trending in New Zealand design right now, so take note.

By the way, the organisers made a very attractive graphic design of invitations, I was impressed.

 

Brands, performances, and masterclasses

ADW showcased a variety of interior showrooms and brands. Each of them tried their best to present themselves as flamboyantly as possible, but the one I remember most was the live installation at Fisher & Paykel:

Maori models were invited to portray a married couple. They showed their everyday life: cooking, talking on the phone, loading laundry, eating dinner, dancing... all accompanied by live music (violin), amazing!

In the same salon, there was a master class on making Italian focaccia, the chef showed us different stages of the process, and at the end he brought out already ready hot bread

This magical aroma of bread filled the space and there was a feeling of cosiness, of home. It was wonderful!

At ADW were represented not only New Zealand brands but also European: Italian, Danish, and French. I was able to chat with local designers, including furniture designers. It is quite a common practice here to study to become a fashion designer and later realise yourself as a furniture or interior designer.

Another distinctive feature of ADW is a lot of delicious food! They did their best in every salon: they offered fruit, cakes and snacks, the freshest croissants -- yum! For example, at Isaloni in Milan and MaisonObjet in Paris, this was not the case, where you had to go to a café on the exhibition grounds or to the nearest restaurants to have a bite to eat.

 

Interior and Furniture Design Trends in New Zealand and Australia

Interior design and furniture trends vary across the globe, reflecting cultural nuances, environmental influences, and evolving design philosophies. My experiences and insights from ADW have provided valuable perspectives on the evolving design landscape in New Zealand and Australia, which I'm excited to share with you.

  • Embracing Nature-Inspired Designs:

    Both New Zealand and Australia boast breathtaking natural landscapes, from lush forests to rugged coastlines. Unsurprisingly, this connection to nature often translates into interior design choices. Kiwi and Aussie homeowners and designers gravitate towards natural materials such as wood, stone, and rattan, infusing spaces with warmth and authenticity. Timber furniture, in particular, is a staple in many homes, adding a touch of rustic charm and organic beauty.

  • Minimalism Meets Functionality:

    The minimalist design ethos, characterized by clean lines, uncluttered spaces, and a focus on functionality, has gained widespread popularity in both countries. New Zealand and Australia's design scene often celebrates simplicity and efficiency, favoring furniture pieces that are both aesthetically pleasing and practical. Scandinavian-inspired designs, with their emphasis on simplicity and functionality, are especially prevalent, reflecting a desire for understated elegance and timeless appeal.

  • Sustainable and Ethical Practices:

    In recent years, there has been a growing awareness of the environmental impact of consumerism, leading to a surge in demand for sustainable and ethically sourced furniture and decor items. Designers in New Zealand and Australia are increasingly incorporating eco-friendly materials, such as reclaimed wood and recycled textiles, into their creations. Moreover, there is a growing emphasis on supporting local artisans and craftsmen, fostering a sense of community, and promoting ethical consumption practices.

  • Fusion of Cultures and Styles:

    Both New Zealand and Australia are multicultural societies, influenced by a diverse range of cultures and design traditions. This melting pot of influences is reflected in the eclectic and vibrant interior design landscape, where elements from different cultures seamlessly blend together to create unique and eclectic spaces. From Indigenous art and Maori motifs to Asian-inspired decor accents, there is a celebration of diversity and inclusivity in the design ethos of these countries.

  • Embracing Technology and Innovation:

    Innovation is at the heart of design in New Zealand and Australia, with designers constantly pushing boundaries and exploring new possibilities. Technology plays a significant role in shaping the way spaces are designed and furnished, with smart home solutions, 3D printing, and virtual reality transforming the design process. Moreover, there is a growing interest in sustainable design practices, with designers harnessing cutting-edge technologies to create eco-friendly and energy-efficient spaces.

 

Wrapping up

The interior and furniture design scene in Aotearoa and Australia is a dynamic and ever-evolving landscape, shaped by cultural influences, environmental considerations, and a spirit of innovation. From nature-inspired designs to minimalist aesthetics and sustainable practices, there is a rich tapestry of styles and trends to explore.

My insights from ADW 2024 have provided a firsthand glimpse into the creativity and innovation driving the design ethos of these countries, and I'm excited to see how these trends continue to evolve in the future.

 

Interior Design Drawing

By the way, hand-drawn projects are very much appreciated in New Zealand and Australia: you can often see hand-drawn sketches in magazines and interior and furniture catalogues. If you want to master interior sketching from scratch — welcome to my online course "BASE".

 

P.S. Please share this article with anyone who may find it useful. Thank you!

 

© Olga Sorokina


Join hundreds of designers who are currently taking my Interior Sketching course.


"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice


The Best Fineliners for Interior Sketching: A Comprehensive Overview with Sketch Examples

When it comes to interior sketching, the right tools can make all the difference. As a sketch artist deeply involved in the world of interior design, I've put together a comprehensive overview of the fineliners I swear by.

In this article, we'll delve into the world of fineliners, comparing their performance on different papers, showcasing my interior sketches, and providing a detailed analysis to help you choose the best liner for your artistic endeavors.


Why fineliners?

Fineliners are an essential tool for any sketch artist, providing precision and control that can elevate your sketches to a new level. They are ideal for interior sketching – from line precision to ink quality and durability.

For those who prefer visual demonstrations, I've created a video where I compare the fineliners in action. This video will give you a firsthand look at how these artist pens perform and help you make an informed decision. Explore the unique qualities each liner brings to the table and how they contribute to the overall aesthetic of the sketches.

In this video, I'll show how the liners fare on different types of paper – regular paper, marker pad, and thick sketchbook paper. You will see how the choice of paper can significantly impact the outcome of your line. Understanding their performance on various surfaces will help you choose the right artist pen for your preferred sketching environment.

 

In this video, I also mentioned my 16-Day Instagram 5-Minute Sketch Challenge, here is a quick overview of the sketches I did there: watch

 

Amazon links

Artistic tools come in various price ranges, and it's essential to find a balance between quality and cost. Here are the Amazon links for your convenience. As an Amazon Associate I earn from qualifying purchases.


Liners that I show in the video (or similar):

(1) Copic Multiliner 0.5:

https://amzn.to/3T03Iuf


(2) Copic Multiliner SP 0.3 (refillable):

https://amzn.to/49c6YcA


(3) Sharpie Pen:

https://amzn.to/3SGVI0J


(4) Pentel 0.5 Liner: 

https://amzn.to/42HRbzJ


(5) Touch Liners (I had this a a set): 

https://amzn.to/49fk1tY

(6) Micron (set in black):

https://amzn.to/48ngCrE


(7) Faber-Castell Artist Pen (raw umber) B:

https://amzn.to/3urp3V8

(8) Faber-Castell Artist Pen (a good set):

https://amzn.to/4bDj3sP

(9) STAEDTLER set (even though I don’t show this liner in the video, I love it and used to use it quite a lot and plan to buy it again):

https://amzn.to/42CFP01

 

Are you ready to make your own choice?

In conclusion, the world of fineliners offers a myriad of choices, each with its own strengths. Based on my experiences, I recommend those mentioned above as the best fineliners for interior sketching. However, personal preferences play a significant role, so feel free to explore and find the one that resonates with your artistic style.

As you embark on your artistic journey, keep in mind that the right fineliner can be a game-changer. Experiment with different options, share your thoughts, and let the creative process unfold. I hope this overview helps you find the perfect fineliner.

Resources

Download my PDF-list of all the materials I use for interior sketching (markers, paper, etc): here

Read also related articles on my blog:

Please let me know in the comments which liners do you use and if you are happy with them.

Happy sketching!

P.S. Please share this article with your creative friend.

 

© Olga Sorokina, 2024


"BASE": a Course Which Teaches All the Basic Techniques You Need to Implement Sketching in Your Interior Design Practice


Read more from my blog

Blog Archive: here

How Does an Artist Get Out of a Creative Crisis?

In this blog post, I'm going to touch on a topic that happens one day in every artist's life. I will share with you my story of creative crisis, I will tell you about useful resources that helped me, and hopefully will help you too.


THE ARTIST AND THE CREATIVE CRISIS

I don't know any artist who hasn't had a creative crisis. Moreover, in the artistic community, a creative crisis is considered almost a "good tone". I have a lot of people I know from the creative environment (as you probably already know from previous posts on this blog, I have an artist's school "Alexandrino", Art Lyceum 190 on Fontanka, Stieglitz St. Petersburg State Art Academy), I can say that all my adult life I am surrounded mostly by creative people.

The concepts of "artist" and "creative depression" are inseparable, inspiration and creative crisis are actually two sides of the same coin. A crisis in creativity is normal, honestly, if you are an artist and such periods have never happened to you, it's even kind of suspicious. So if you think that you are the only one so special, that you are the only one with "existential problems", that you are feeling lonely, don't want to face life and have no one to share it with, know that you are not alone.

In the artistic community, a creative crisis is considered to be almost a “good tone”. The concepts of “artist” and “creative depression” are essentially two sides of the same coin.
 

People just don't like to share such information about themselves, especially with those who may not understand it, because telling someone about your innermost feelings makes you vulnerable, and if you get in response: "Don't talk nonsense, you are doing fine, someone else has no arms and legs, but they live and are happy, and you just whine! What do you lack, what more do you need? You have everything! Just live!" Sound familiar?

Such a reaction from close people can lead to a persistent feeling of loneliness, even if it seems to others from the outside that you have all is well, even perfect, but in the heart is actually darkness and the wind howls. Sometimes, this leads to thoughts like "something is definitely wrong with me," and the feeling of alienation, isolation only becomes stronger and drives you into more depression.

A creative crisis is a professional illness for artists like allergies, deteriorating eyesight and rheumatism for doctors or sinusitis, frequent colds and bronchitis for school teachers.

We all have ups and downs, moments of great inspiration and pits of decline, life is a sinusoid, it is important to be prepared for crises and know how to get out of them as quickly and painlessly as possible and initially try to avoid them by monitoring your well-being. To know what helps you, to have this "light at the end of the tunnel" and a "plan of action" to get out of depression.

 

MY STORY

I have had several creative crises, of varying degrees of difficulty. I will share one of the stories that happened to me almost immediately after graduating from Stieglitz St. Petersburg State Art Academy, when I got a new job as an interior designer in a prestigious architectural firm.

It was a big company where we worked on national projects like hotels for the Sochi Olympics, projects for high-end restaurants and residentials; yes, there was a big salary, a professional team, reliability and all that, but every morning I woke up and just didn't want to get out of bed. I didn't understand myself and blamed myself with the words, "Olga, what's going on? You're in a dream job! Everyone only wishes they had such a position! You yourself always wanted to do big architecture and interiors projects. Here it is! What's wrong?!"

Having said that, the staff was really good: they were professionals in the field of architecture and design, you could learn a lot from them, everyone was friendly to me and always ready to help. My boss was Austrian (which was also very important to me when I applied for this job as I thought I will gain international experience), a wonderful and talented person, he always admired my sketches and design ideas, it was inspiring, but it was a pity that he was constantly on the road and business trips, we saw him very rarely.

I blamed myself: “Olga, what’s even going on? You’re in a dream job! You yourself have always wanted to do big architecture and interior design projects. This is it! What’s the matter?!”
 

The signs of the creative depression and burnout were obvious: I didn't want to get out of bed on both workdays and weekends, I cried almost every day, I didn't want to socialize with anyone or leave the house at all; in terms of diet: I either didn't want to eat at all, or I started eating all sorts of junk food and candy without stopping. At work I sometimes went to the lavatory to cry, especially before the deadlines. Inspiration and desire to create something, to produce ideas was out of the question. Some colds and weakness started, psychosomatics came into play: the body was clearly signaling that it was time to change it all. There were almost all the symptoms of depression that had already started.

When I was studying at Stieglitz Academy, I dreamed of working on large-scale interior projects like museums, exhibition spaces, conceptual high-end restaurants; in general, I had very ambitious plans and goals. In fact, working for this company was really the perfect stepping stone in my career. I saw this brilliant, dizzying future as a world-famous designer, and the fact that I couldn't even get past the first step knocked me off my game.

At that moment, I saw myself as weak and I judged myself for it, while my body, the very reaction of my physique clearly made me realize that such a job for a large company, with an open-space office, a rigid schedule and constant deadlines, a large amount of work in 3D and CAD, regular business trips to another cities, was definitely not for me. Plus, I'm a very responsible person by nature, I've had this "Straight A student syndrome" since high school, I can be very worried about projects, in general, I felt that I just didn't have enough physical resources to bear the load, I was especially stressed before deadlines, although as always my boss was happy with my work.

I thought then that freelancing was a solution to problems. As it turned out, no, it’s just that in freelance work you have 10 bosses instead of one.
 

There were some pros: at this job, I learned exactly what is NOT for me and what is NOT for me: working for large companies, where you feel like a cog in a huge system, open-spaces, rigid schedules, fixed vacations, the need to fill out official paperwork, even if you just need to go to the dentist.

I realized that I needed either a private office or working from home, flexible schedule, no boss or any supervisor. That's when I thought freelancing was the solution to my problems. As it turned out later, no, it's just that in freelancing you have 10 bosses instead of one :)

 

HOW TO GET OUT OF A CREATIVE CRISIS

It is interesting that creative crisis is overcome by creativity itself. It is important to start devoting time to it and in no way judge your drawings, creations, but just create them, and consciously dedicate time to creativity.

I know, easier said than done, but the thing is, the incredible magic lies in momentum, in impulse. Depression is static and stagnant, and what you need is movement, life, energy, rotation. When you take time every day to do something (even if it's 5-10 minutes), but it's day in and day out, regularly you "chisel at the same point" - soon you'll notice that a miracle happens - your brain starts "asking" for that activity. A driving force appears, inertia, this moment in physics has incredible power, and this is exactly what can get you out of any depression, this is your leverage. The hardest thing is to start doing it every day (drawing for example), to build this habit, but when the habit is already established, it starts working for you. It's like at university: first you work for your credit, then it works for you.

The effect of the momentum is especially noticeable if it is reinforced by the community: here the inertia grows exponentially. You are no longer just one to one with your problem, but the power of other people is working for you, together you are like a surfer on a wave, you can ride it and escape from any storm. That is why it is so useful to join various marathons, challenges, and courses with a community.

A great idea would be to switch to a new type of creativity: for example, you are drawing, but here try yourself in dance, music or acting.

If you have been drawing for a long time, try your hand at dance, music or acting, this is also creativity but a different expression of it.
 

Even the weather plays a big role in aggravating the depressive state, in February/March it seems that winter will never end, you have not seen the sun for weeks, the sky seems to be constantly overhanging low gray clouds - naturally the psyche begins to panic and the brain thinks "When is it going to end?! What if it never ends and it will always be like this?". This worsens the state of depression even more. That's why there is a concept of "spring flare-up", after winter, when all resources are depleted - the body is on the verge and it needs a break and recharge as never before.

A good idea would be a trip or a short trip to another city in this period from February to May, just any change of environment, change of the "picture" that you see every day. You need some kind of shake-up, better yet a retreat, for example a yoga retreat.

I must say that nature walks, dance classes, yoga and meditation have helped me a lot to get out of a prolonged creative crisis.

Check out my "Yoga for Artists" video on my YouTube and do this beautiful ancient practice online with me on the ocean or in the park.

Artists come out of the creative crisis through creativity, through new ideas and dreams, new information and perspectives, a fresh perspective and a different way of looking at what is going on.
 

RESOURCES

The idea and attitude of "Give your body lots of love and attention" will make a big difference. Try to focus on your body, it's not by chance that it suffers and gets sick (colds and so on, by the way, it is believed that depression is a "disease of the soul"), so give your soul and body attention and lots and lots of love. Maybe you are currently doing in life not what your soul came here for.

Remember what you loved to do when you were a child? Reading, drawing, carving, building LEGOs, making architecture out of chairs and tables (I loved doing that). It will all heal your soul if you start doing it again (even if it feels silly and childish). Right now, sit down, take 10 minutes, set a timer and brainstorm and write down everything that comes to mind. What activities made you happy as a child?

 

What else can you do for your mind and body?

  • Enroll in a massage class

  • Go to yoga/pilates/qigong classes (you can start with free YouTube videos if the idea of socializing with other people depresses you even more)

  • Pack up and go on a yoga retreat

  • Start/continue dancing (it's important to find what you like: salsa, burlesque, tango, contemporary, ballet, jazz, etc.). I personally get maximum positive emotions from ballet and burlesque.

  • Walking in nature, breathing fresh air, observing trees, the first leaves, an ant on a tree - all this is incredibly therapeutic!

  • Meditate (there are simply hundreds of thousands of videos on YouTube on this topic, try with gratitude meditations, creativity meditation, vipasana or yoga nidra). A few of my favorite meditations: here.

  • Socialize more with animals (maybe you've been wanting a dog or cat for a long time?).

  • Reading inspirational books and watching movies (see a list of my favorites below)

 

MOVIES AND BOOKS ABOUT ARTISTS

For inspiration, I list here some movies and books that have helped me and they can improve your condition today.

 

Movies

  • "Frida". 2002

  • "Modigliani," 2004.

  • "Van Gogh: A Portrait Painted with Words," 2010.

  • "Renoir. Last Love," 2012

  • "Big Eyes," 2014.

There are so many movies about artists, I've listed 5 of my favorites, all of which deeply explore the theme of the artist's depression.

 

Books

(With direct Amazon links, just click on the name)


I noticed that stories about great artists, how they came out of difficult crises helped me a lot, I'm sure it will help you too.

It would be interesting to know if you have already read any of these books, seen these movies, please share in the comments.

 

AND LASTLY...

There are people who have so many opportunities, abilities, and talents, but they don't do ANYTHING with those gifts.

And they suffer for it. Of course they do. It's not like they're doing what they're meant to do in life. They're not realizing themselves, they're not unlocking opportunities, they're not growing. Or don't want to? Consciously or unconsciously.

Remember Ellie from "The Wizard of OZ" (one of my favorite fairy tales as a child), every time she turned off the yellow brick road, trouble and problems started: a poppy field, or trees throwing apples at her. all because she turned off HER WAY.

It definitely works on me: every time I drifted away from drawing, from creativity, life hurt with depression.

I also invite you to read other posts from my blog on related topics:

 

P.S. My dear Creatives, I hope this article will help you, and inspire you to some change. Please share your thoughts, and impressions in the comments below (when you write a comment, save the text first so that it doesn't get lost, because the site's system will offer a simple registration and the text may get lost).

And please share this article with anyone who may find it useful. Thank you!

 

© Olga Sorokina


Understanding Positive and Negative Space: Elevate Your Interior Design Drawings

In the dynamic world of interior design, the principles of positive and negative space are akin to the artist's brushstrokes on a canvas, shaping the aesthetic and functional essence of a space. As we delve into the realm of interior design drawing, these fundamental concepts take center stage, serving as the blueprint for creating spaces that are not only visually stunning but also harmoniously functional. Let’s dive deeper in this article.

 

Positive Space: Where Design Comes to Life

In the realm of interior design drawing, positive space constitutes the tangible elements that define and fill a room. Imagine the furniture, fixtures, and decor items—the elements that breathe life into the design. When sketching an interior space, positive space is the canvas upon which the designer articulates their vision, carefully placing each item to create a cohesive and purposeful environment.



Negative Space: The Unspoken Elegance

As the unsung hero of interior design, negative space plays a pivotal role in enhancing the overall aesthetic. It's the open floor space, the unoccupied walls, and the areas around and between furniture. In the realm of drawing, it's the blank canvas that allows for the articulation of design, contributing to the sense of openness, flow, and balance within a room.

 




Strategic Applications in Interior Design Drawing:

1. Furniture Choreography:

   - The arrangement of furniture is a dance between positive and negative space. In your drawings, consider how each piece contributes to both functionality and visual appeal, creating a symphony of form and function.




2. Navigating Traffic:

   - Intelligently managing negative space ensures smooth traffic flow within a room. It's about creating paths that are free from obstruction, fostering a sense of ease and practicality in the design.




3. Harmonious Balance:

   - Achieving the perfect equilibrium between positive and negative space is the key to a visually stunning interior. Striking this balance prevents a space from feeling cluttered or sparse, fostering a sense of visual delight.




4. Artistic Framing:

   - Negative space acts as a framing device, directing attention to architectural features, artwork, or designated focal points. It's the whitespace that enhances the significance of design elements within your interior composition.




5. Visual Comfort:

   - A well-considered distribution of negative space contributes to visual comfort. It ensures that a space is inviting, providing individuals with the freedom to relax and engage with the environment.




6. Spatial Symphony:

   - Mastering the interplay between positive and negative space is the art of spatial planning. It involves not just meeting functional requirements but doing so in a way that captivates the eye and evokes a sense of balance.




In the realm of interior design drawing, understanding the dance between positive and negative space is the hallmark of a skilled designer. Just as a maestro conducts an orchestra, an adept designer orchestrates a symphony of elements on paper, setting the stage for a beautifully realised interior. As you embark on your design journey, let positive and negative space be your guiding notes, creating spaces that are as functional as they are visually captivating.

 


(Quick note) Elevate Your Gallery Experience:

As you embark on your design journey, consider applying the principles of positive and negative space to your appreciation of art. The next time you visit an art gallery, focus on the negative space in the paintings. Notice how the deliberate use of empty space enhances the impact of the artwork, guiding your gaze and influencing your emotional response. You'll find that this heightened awareness transforms your gallery experience, allowing you to see and appreciate art in a new and enriching light.




Happy sketching!

Olga Sorokina


Master drawing furniture with my online course for beginners:


Shadows and Light: The Interior Artist's Guide to Mastering Value Study Techniques

In this article, I'd like to underscore the significance of incorporating a value study into your interior drawings.

It's quite common to observe beginners using a pleasing colour palette for their sketches. However, a key aspect often overlooked is the variation in tones. Without a thoughtful value study, the sketch tends to appear flat and lacks the dynamic contrast that brings it to life.

The secret to enhancing your interior sketches lies in mastering the art of value study.

Sketching teaches us to become very observant, to see nuances.
— Olga Sorokina

A “value study" in drawing refers to the exploration and representation of different shades of light and dark within an artwork. 

When it comes to interior drawing, understanding and effectively depicting values are crucial for creating a sense of depth, lighting, and atmosphere.

 

Here is a quick guide on how to approach a value study for interior drawing:

  • Identify Light Sources:

    • Determine the primary light sources within the interior space. This could be sunlight streaming through windows, artificial lighting from lamps, or a combination of both.

    • Note how the direction and intensity of light affect different surfaces and objects in the room.

  • Define Major Forms:

    • Identify the major forms and shapes within the interior, such as furniture, architectural elements, and decorative items.

    • Use values to accentuate the three-dimensional qualities of these forms. Consider how light and shadow play across surfaces.

  • Establish a Focal Point:

    • Decide on a focal point within the interior. This could be a specific area, object, or piece of furniture that you want to draw attention to.

    • Use a higher contrast around the focal points or key elements in the foreground, making it stand out within the composition. This not only directs attention but also adds to the perception of depth by making those elements visually prominent.

  • Consider Material and Texture:

    • Different materials and textures within an interior space will reflect light differently. Pay attention to how values can convey the characteristics of materials, such as the shine of polished surfaces or the softness of fabrics.

    • Experiment with variations in shading to depict a variety of textures realistically.

  • Balance Light and Shadow:

    • Achieve a balance between light and shadow to create a visually appealing composition. Avoid overly bright or dark areas unless intentional for artistic purposes.

    • Use mid-tones to connect light and shadow, allowing for smooth transitions and a cohesive overall look.

  • Utilize Reflections:

    • If there are reflective surfaces like mirrors or glossy furniture, consider how they interact with light sources and surrounding elements. Reflections can enrich your value study.

  • Experiment with Different Times of Day:

    • If possible, explore how the lighting changes throughout the day. Different times of day can significantly impact the mood and atmosphere of an interior space (think here “Haystacks” by Claude Monet).

    • Morning and evening light, for example, may create long shadows and warm tones, while midday light can be brighter and more direct.

  • Create Atmosphere:

    • Use values to establish the overall atmosphere of the interior. A well-executed value study can convey the mood of the space, whether it's cozy and intimate or spacious and airy.

  • Practice Depth and Perspective:

    • Use values to emphasize the sense of depth and perspective in the room. As objects or surfaces recede into the background, gradually decrease the intensity of values. Darker values in the foreground will contrast with lighter values in the distance, creating a sense of depth. Emphasize the contrast between light and shadow in the foreground. Remember that objects in the distance often have softer, less defined edges due to atmospheric effects.

  • Refine Details:

    • Pay attention to details in your interior drawing. Use values to highlight intricate details in furniture, patterns on surfaces, and other elements that contribute to the overall realism of the scene.

 

Remember that achieving depth and perspective in a value study requires a balance between accurate observation and artistic interpretation. Experimenting with these techniques will help you create interior drawings that not only capture the spatial relationships but also convey a convincing sense of depth through the effective use of values. Observe real interior spaces, study how light interacts with various elements, and practice consistently to enhance your skills in depicting values in interior drawings.

 

P.S. Hope you enjoyed this article, please share it on your social media so more Creatives can learn about the importance of value study and interior sketching.



© Olga Sorokina, 2024

Drawings from my online course on watercolour techniques in interior sketching. Learn more here


Transform your interior drawings with depth and perspective in my online course “Interior Sketching in Watercolour“


See my blog archive: click here

Perspective Drawing Explained: 7 Types of Perspective in Interior Sketching

In this article, I'll introduce you to seven exciting perspective techniques that I employ in my interior drawings. From the fundamentals of 1-point and 2-point perspectives to the fusion of 1+2, "distorted" perspectives, and more, discover how each technique can bring depth and uniqueness to your sketches. Join me on this creative journey to the art of perspective drawing.


In the world of interior sketching, perspective is the key to bringing your designs to life on paper. Whether you're a budding artist or an experienced designer, mastering different perspective techniques is essential. In this article, we'll explore seven intriguing types of perspective that can add depth, dynamism, and uniqueness to your interior sketches.

 

(1) One-Point Perspective (Frontal Perspective):

The fundamental technique for interior sketching, that forms the backbone of interior sketching. Here, we have only one vanishing point on the horizon line, but it forms everything. 

Read also related article on my blog for a more in-depth exploration of 1-point perspective:
“The 9 principles of one-point perspective in interior sketching”


(2) Two-Point Perspective (Oblique View):

Here we can see two vanishing points on the horizon line, adding an extra dimension of dynamism to your drawings compared to the more static nature of 1-point perspective.

Read also related article on my blog:
“The 6 principles of two-point perspective in interior sketching”.


(3) Combined Perspective (1+2):

A fusion of 1-point and 2-point perspectives, with some furniture objects having their own 2-point perspective. In this sketch, you can see a blend of 1-point perspective for the room and 2-point perspective for the objects, in this case, two classic bergere armchairs. What makes this perspective truly captivating is that each chair has its own set of 2 vanishing points. Here, things get intriguing with a total of 5 vanishing points! 

In my online course BASE, I'll guide you step-by-step in drawing this French interior.


(4) "Distorted" Perspective:

Some love it for the dynamism it brings, while others find it challenging. It's a unique fusion of one-point and two-point perspective. I find it really profound as it brings a lot of dynamic to the sketch. With "Distorted" Perspective, the back wall (also referred to as the frontal wall at times) takes on a trapezium shape, in contrast to the rectangular form of the back wall in our 1-point perspective (please take a look at my drawing below). This transformation adds an intriguing element of dynamism to your sketches, making it a captivating technique to explore. 

You can learn how to create this captivating effect in my online course PRO.


(5) "Elevated" Perspective with Two Vanishing Points:

Ideal for small spaces like bathrooms and home offices, this technique can add a new dimension to your designs. 

Join me in THE CLUB and explore how to create interiors with this perspective.


(6) "Elevated" Perspective with Three Vanishing Points:

Take your perspective skills to the next level with three vanishing points, offering even more depth and complexity to your sketches.

Let’s draw this interior together in my online course PRO.


(7) Four-Point Perspective:

Think about it as two sets of 2-point perspective.

You can draw this classic oval bench with me in my online course “FURNITURE“.

 

In my practice, I most often utilise the fundamental 1-point and 2-point perspectives, which form the backbone of interior sketching. Remember, the best way to make good interior sketches by hand is to make a lot of them, quickly and spontaneously, until it becomes natural for you.

To further dive into the art of interior sketching and discover the nuances of these perspective techniques, be sure to check out my 35-minute Instagram live stream where I explore this topic in greater detail: watch here.

 

DEMYSTIFY PERSPECTIVE DRAWING

Perspective drawing might seem complicated or intimidating, but with my Perspective Drawing for Interior Design course, it becomes fun and easy.

My step-by-step approach ensures you'll finally understand perspective, transforming your sketches and boosting your confidence.

Do you want to master perspective drawing for interior design from scratch?

Welcome to my online course

“Perspective Drawing for Interior Design“

 
 

P.S. Hope you enjoyed this article, please share it on your social media so more people can learn about perspective drawing and interior sketching.


© Olga Sorokina, 2023


See my blog archive: click here

Marker choice: my favourite marker sets for interior/architecture sketching from Amazon

best drawing markers amazon for sketching artists

This article will help you realize and select what exact materials you will need to start sketching, which brands of markers would be the best choice for you, I will share what I use in my sketching routine, you will get direct links here to my absolute favourites. You can use this list as a guide while shopping on the Internet. Also, you will learn which marker brands can be potentially damaging to your health.

Please note, links I provided here are affiliate; if you buy, I make a commission (at no extra cost for you!). As an Amazon Associate I earn from qualifying purchases.

 
best marker sets

Here I will recommend a variety of brands to choose from, but If I were to pick my absolute favourite marker brands, it would be Copic and Touch. They both have a vast array not only of colors but also of marker tips. In Copic, for example, these include ‘Classic’ markers, ‘Extra Wide’ ones, the thin ‘Ciao’ markers, and remarkable ‘Sketch’ (the last two have brush points). Copics are more pricy; Touch markers are more affordable. Here I also share Stylefile and Chartpak brands, which are quality and quite affordable.

I don’t recommend you use Touchfive, Touchnew, and Vista Artista markers since their quality not as good as their price (yes, they are cheap), not to mention that they can be damaging for your health, especially for the lungs. My students and I tried these markers, and unfortunately, we didn’t enjoy drawing with them.

Professional markers usually have two nibs: a wide one (chisel, wedge-shaped) on the one side and a thin one on the other (fine liner tip), or it can be a brush nib with the thin one. 

Side note: I’m a big fan of brush nibs; they are my absolute favourites.

Some markers are refillable (like Copic, for instance); some are not (like Promarker or Stylefile, for example).

 

YOU CAN DOWNLOAD MY PDF "MATERIALS FOR INTERIOR SKETCHING".

ENTER YOUR NAME AND EMAIL HERE:

 

Gray marker sets:

Grays go first. I purchase grays more often than any other colour. Why? Grays are the most important in interior drawing since they create tone and value, background and shadows in your sketch. A set of grays might be your first purchase when you get serious about interior sketching.

1. COPIC 5 grays at least are essential, but «the more grays – the better». 

Take a look at this 5 Sketching Grays Copic Sketch Set of Markers (5 markers + multiliner). Refillable markers and replaceable nibs: 

https://amzn.to/2LxdDGm

2. COPIC 12 grays is my favourite set of grays; it’s great if you’re serious about interior sketching or consider to draw sketch commissions in future, then check this Copic Classic set:

https://amzn.to/2RQL5J5

3. TOUCH 6 grays. It is an excellent alternative to Copic, Touch markers are really good, plus they are cheaper than famous Copic:

https://amzn.to/2LuPhgi

4. TOUCH 12 grays. Here is a nice set of warm grays, ShinHan Touch Twin Brush Marker Set 12WG Warm Grey:

https://amzn.to/2RTVbc7

5. STYLEFILE 12 grays. Stylefiles are also perfect quality markers for interior sketching. Double-ended with fine and broad nibs, but they are not refillable as Copic, for example. Look at this Brush Marker-Neutral Grey Set:

https://amzn.to/2LwcIWE 

6. STYLEFILE 12 grays. The same set but with wedge and fineliner tip, if you prefer wedge nibs instead of brush ones:

https://amzn.to/2KYnC8a

7. CHARTPAK Gray Set. There are 22 greys+3 blacks. They are not refillable, one-nibbed, but excellent quality. Chartpak is markedly different from the markers mentioned above. These markers have one very wide tip, that is highly convenient for interior sketching. The only disadvantage is that these markers have a rather strong smell of solvent. This 25 colours set contains 22 grays (warm, cool and neutral), plus three blacks:

https://amzn.to/2ROYykF

8. LETRASET/ WINSOR & NEWTON I like 6 Neutral Tones Set from Letraset (as I mentioned, grays are the most usable markers in interior sketching). These markers are not refillable. Recently Letraset ProMarker brand was renamed to Winsor & Newton ProMarker, but the marker quality stays the same:

https://amzn.to/2XrPurQ

markers for sketching
 

Coloured marker sets:

When purchasing colored markers, focus on earthy, wooden tones. Yes, you will need some basic bright colors like red, yellow, green, etc., but you will not need five reds or seven violets, which are usually included in marker sets for manga drawing, for example. Our aim is an interior design and architectural drawing.

Here are some sets where grey colors are already provided, so you can purchase any of them and have it all: grays and colored markers all in one. Or maybe you prefer to buy gray and color sets separately. Here is the list of my favorites:

1. CHARTPAK Architecture Set, (25 colours):

https://amzn.to/2XnvZ3U

2. TOUCH Twin Brush Marker Set B (48 colours). NB: Grays are included here!

https://amzn.to/2J5ivkd

3. TOUCH If you want more bright colours check Touch Twin markers (60 colours) with fine tip nib on one end and a medium-wide chisel nib on the other:

https://amzn.to/2XjcVyL

4. COPIC ciao Set B. It was my very first Copic marker set. I remember at the time how pricy it was for me but at the same time how happy I was when I got it! This set was an excellent investment for my business. Copic Ciao is more affordable in comparison with Copic Classic or Copic Sketch.

https://amzn.to/2XvF6KQ

5. COPIC INK REFILLS They are available in all 358 colours of Copic palette, but I need only my top-frequently-used Copic colours such as grays, for example, this one:

https://amzn.to/2Xx1KCs

6. STYLEFILE markers (24 colours, grays are included here). If you are looking for your first and relatively affordable set, I would have started with them:

https://amzn.to/2xxuwZ9

7. STYLEFILE markers (24 colours), these are double-ended but with brush tip:

https://amzn.to/2LGfBEw

Side note: you can purchase markers one at a time to get familiar with a new brand, for instance, with Letraset:

https://amzn.to/2JjDVKD

 

P.S. Please share this blog article with your friends, thank you in advance.

© Olga Sorokina


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Top 5 books on perspective drawing: my personal choice

top%2Bbooks%2Bperspective%2Bdrawing

In this article, I will share with you my absolute favourite books on such a hot topic as perspective drawing for interior designers, architects, and urban sketchers.

Please note, links I provided here are affiliate; if you buy, I make a commission (at no extra cost for you!). As an Amazon Associate I earn from qualifying purchases.

P.S. Find your special gift at the end of the article.

The artist’s business is to be able to draw an object so that it will look solid and not flat like the surface of the paper on which it is drawn. In so doing that artist employs a method that we call perspective.
— From "Perspective Made Easy" book by E. Norling
 
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the sketch interior design drawing olga sorokina.JPG

"The SKETCH. Interior Design Drawing"

Olga Sorokina (click for a direct link on Amazon)

I'm happy to include my book on this list. I wrote it specifically for interior designers as well as interior design students who want to master perspective drawing and interior sketching with markers from scratch.

This is a very actionable and quick-read book that, if you would work with, will change your interior design project presentation and, possibly, even your whole creative life. I share my story in the book and how sketching transformed my life. I designed "The SKETCH "particularly for beginners in freehand sketching and for those who want to master a fantastic skill of hand rendering for better performance on the interior design scene. In case you want to make drawing commissions your new job (often called "sketch artist"), you will find inspiration here.

Here you will find a lot of tools, tips, and tricks for freehand sketching, examples of some of the masters of the craft, recommendations for materials. Students need to practice from the book with the step-by-step exercises. Richly illustrated, this little black and white book can serve as a source of great inspiration, and for some of you, it is going to become an excellent small table book.

My book is available in PDF version here

Paper-based from Amazon here.


“Drawing Perspective. How to See It and How to Apply It”

Matthew Brehm (click for a direct link on Amazon)

One of the recent coloured books on perspective, your hands-on guide to this tricky topic (big bonus: it's excellent polygraphy quality). It will be particularly valuable for urban sketchers and artists who love to do outdoor sketching since the majority of the examples featured are those drawn from location. No dry theory, but it does explain in a playful way how perspective works. Probably, one of the most straightforward books to read as it explains every type of perspective drawing so clearly.

I believe it will also be essential for beginners in general, actually, all levels will benefit from this book with its fun image quizzes (yes, you can draw right inside the book!), step-by-step schemes and diagrams, not to mention its «Perspective Chambers», which is really something special that I haven't seen in any other books on this topic. Definitely, those workbook exercises, in the end, are such a practical bonus for the reader (these worksheets for each task can be done in the book or downloaded).

This book gives you heaps of fun, practical exercises, and encourages you to play with them while demystifying such a complex topic for the majority of artists as perspective. The book will help you develop a working knowledge of how perspective appears in the world, why it seems the way it does, and how to apply these understandings in your sketches, accordingly, the perspective concept is broken down into "seeing it", "understanding it" and "applying it», a great explanation! After reading it, you will see the world around differently, and you will actually understand perspective so that learning how to draw it becomes effortless and fun.


“Perspective Made Easy”

Ernest R. Norling (click for a direct link on Amazon)

This tiny black and white print is a perspective classic, a great introduction quick-read book and foundation to perspective for beginners. Just look at its stats from Amazon Best Sellers Rank (for the day of publishing this article): 

#4 in Architectural Materials

#46 in Pencil Drawing

#22 in Arts & Photography Study & Teaching

This book is simple, short, quite easy to understand, and really helpful. A concept of perspective that confuses almost every interior design/architecture student is demystified here, it starts very basic and builds on each idea. In my opinion, it is one of the best books I have found for teaching perspective, but, if you are hoping for something advanced, «heavy», with innovative ideas for teaching, clear instructions and step-by-step drawings with good quality coloured images then this book is probably NOT for you, plus there's not that much in terms of interior design.

This small-format book is a light reading, even though some parts of it may seem too advanced, but most of it is very simple and easy to understand. It covers so many essential topics: vanishing points, ellipses, cylinders and cones, shadows, and shades. Also, at the end of every chapter, there are highlights to note and assignments to apply the newly learned information. You can finish this book quite quickly, but the book is designed so that the concepts may stay with you as you read and practice the exercises. I believe for beginners studying from this lovely little book before going into something advanced can make learning perspective more enjoyable, and later it will be easier to learn the more complicated perspective concepts.

While I was reading Norling’s book, I had a feeling that a mature architect sits in front of me and explains perspective principles in simple words and with fun examples. I like the statement which opens the book: "The artist's business is to be able to draw an object so that it will look solid and not flat like the surface of the paper on which it is drawn. In so doing, that artist employs a method that we call perspective."

It was written originally in the 1940s, the language might seem outdated, but the rules of perspective don't change. Just to give you an antiquated example of wording from the book: "Imagine your wearing a diving helmet." What?! A diving helmet? Why it’s not a snorkel and mask? I see this old-fashioned language as an added entertainment feature, so have fun.

This book is a useful reference for drawing in perspective, and it's a good deskbook for anyone who has learned basic perspective techniques, most of this information has been taught in art classes, but it is a solid reference/reminder-book to go back to whenever someone needs to refresh on the concept. 

Finally, I will add that this is a timeless classic that I would recommend to anyone interested in learning perspective drawing. Definitely, this book is an excellent tool for learning the basic intricacies of perspective; small, clear, and concise, it will be an essential addition to any Creative’s bookshelf.


“Perspective for Interior Designers: Simplified Techniques for Geometric and Freehand Drawing”

John Pile (click for a direct link on Amazon)

A prominent author of numerous books on interior design and such topics as the history of the interior, color in the interior (a list of John Pile’s books is here) did not leave behind such a hot topic as perspective in interior sketching. I believe that this book will benefit any interior designer who wants to master perspective and draw in front of their clients.

The book starts with a section on the fundamental technique of a 2-point perspective, which is presented through 14 sequential steps. This black and white, quite small, and straight forward edition offers the most important types of perspective for interior designers (1- and 2-point) in a simplified, clear, and concise way. The book is quite extensive in content with clear visual instructions, and you can read it in just a couple of days, yay! 

The author covers special situations like reflections, views from above, case studies, furniture. You will learn how to draw to scale, how to place floor plan in relation to drawing, how to draw circles in perspective, as well as ellipses and stairs (oooh, a tricky topic, right?) from Pile’s book as well. Perspective for Interior Designers offers an easily accessible and quickly learned method that will serve every interior designer’s drawing needs.

Also, here you will find some specific techniques for drawing interiors, step-by-step demonstrations, analysis of floor plans, and a simple and accurate method to make perspective drawings from them. I can say that this volume is a complete and specific guidebook, which is easy to understand. I wish I would have it when I was a student at the St Petersburg Art Academy.

By reading it, you will get the joy of being able to make accurate, technical, and professional-looking perspective interior drawings to scale. This book will help you stop struggling with perspective, so I highly recommend John Pile’s work for all interior designers, interior design students as well as architects (for others, it might seem to be very comprehensive or too technical).


“Sketching for Architecture + Interior Design” 

Stephanie Travis (click for a direct link on Amazon)

This beautifully done book is broken up into three chapters (furniture + lighting, interiors, architecture) with multiple drawing techniques in each section that emphasize the process. Each chapter provides in-depth steps and examples to follow. Forty-five step-by-step drawing exercises take you from the simple forms of furniture to interiors, to more sophisticated building exteriors and cityscapes. Stephanie provides excellent "how-to" steps, which makes it easy to follow and try out yourself. With its simple approach, easy to follow instructions and plenty of drawing examples, I believe this book should be available in all the Art Schools and Design Universities’ libraries. Interestingly enough, this book explains and outlines sketching in a way that works both for non-professional and industry professionals like architects and designers.

Having grown up with computers, today's interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or even do not know how to sketch at all. Sketching has almost become a "lost art”, and this book is perfect not only for students but also for design professionals, as well as for those who just want to learn to sketch and see things in a new light. Sketching, and the careful observation that it entails is essential for the successful development of the next generation of designers. We can’t underestimate the importance of being able to sketch out an idea on the fly and learning to see in a new way, especially for a visual industry.

You can perceive this book as an excellent masterclass in free sketching. The instructions are insightful and pointed, and the freehand sketching adds so much texture and intimacy to the book, its compactness is beneficial for travel and is comfortable to review. This book might potentially give you “new eyes” and to draw what you see instead of what you think you see. The playful exploration of line, form, shadow, pattern, perspective, and composition is broken into manageable steps that build upon each other without a lot of overwhelming technical jargon. Through simple, beautifully hand-drawn examples, you will learn how to capture and portray the unique qualities of a subject rather than just reproduce a copy.

Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views, and context. Exercises are illustrated with beautiful sketches, specially created by the author. Sketching for Architecture and Interior Design is the number one practical guide for design students wishing to master the art of looking and drawing. Interior designers and architects might find themselves using this book on studio projects, especially in the schematic design stage, since the book helps with diagramming and processing conceptual ideas, which then translate into the architectural concept.


In terms of proportions and standard dimensions for interior design and architecture, check out classic Peter Neufurt book: https://amzn.to/31CUGZC

Links here are Amazon Affiliates, so if you buy any of these books, I get a commission at no extra cost to you.

What are your favourite books on perspective, and have you already read any of these books?

Let me know in the comments below.

P.S. Please share this article on your social media so more people can learn about perspective drawing and freehand sketching. Thanks in advance, and good luck with your sketches!


© Olga Sorokina

best books perspective drawing for interior designers

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Welcome to Sketching Retreat 2023: The #1 Online Event for Interior, Architecture, and Landscape Sketching

Are you passionate about sketching, perspective drawing, architecture, or interior design?

If so, you're in for a treat! Imagine having the opportunity to learn from your favourite instructors, artists, architects, and designers during a six-day online event that's absolutely free.

Welcome to Sketching Retreat 2023, the #1 online event in the field of interior, architecture, and landscape sketching!

This year, I will be teaching perspective drawing: “1-Point Perspective Made Easy: Sketching the Iconic Neuendorf House”. I can’t wait to see you on the inside!


What is Sketching Retreat 2023?

Sketching Retreat 2023 is a remarkable event that brings together creative minds from around the world to explore the art of sketching in various domains. This six-day online extravaganza is a treasure trove of more than 30 workshops, each tailored to enrich your knowledge and skills in architecture, interior design, and landscape sketching.

 

What Will You Learn from the Workshops?

At Sketching Retreat 2023, you'll immerse yourself in an abundance of knowledge and creativity. Some of the techniques and applications you'll master during the workshops include:


- Pen & Pencil Drawing: Unlock the secrets of creating intricate sketches with the simple tools of pen and pencil.

- Colour Markers: Explore the world of vibrant colors and learn how to bring life to your sketches.

- Watercolour Painting: Dive into the world of watercolors and transform your sketches into colorful masterpieces.

- Morpholio Trace: Discover the power of digital sketching with the Morpholio Trace app.

- Procreate: Unleash your creativity with the popular digital art app, Procreate.

- Concepts: Explore innovative sketching techniques and concepts that will elevate your skills to new heights.




These workshops will be led by a diverse array of instructors, including artists, architects, and designers, each offering their unique style, techniques, and mediums.

 

Meet the Host: David Drazil

Sketching Retreat 2023 is hosted by my friend, the talented David Drazil from sketchlikeanarchitect.com. David is architect, content creator, speaker, and book author. David's passion for sketching and design is incredible, and he brings a wealth of knowledge and experience to the event. I am sure, his expertise and vision will undoubtedly inspire all participants.

 

How to Register:

Don't miss out on this incredible opportunity to enhance your sketching skills and learn from some of the best in the industry. To register for Sketching Retreat 2023, simply follow this registration link:

 

Sketching Retreat 2023 is not just an event; it's an experience that has the potential to transform your creative journey. Whether you're a seasoned sketch artist or just beginning to explore the world of architecture, interior design, or landscape sketching, there's something here for everyone.

Embrace this opportunity, and join us at the #1 online event for sketching in 2023. Register today, and let's embark on this artistic adventure together. Unleash your creative potential like never before!

I can't wait to see you at Sketching Retreat 2023!

Olga Sorokina


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My 5 tips if you want to draw architecture sketch commissions in Procreate

In my today’s article, I simply welcome you to watch this quick 16 min live stream I did on Instagram:

🤓✍️ “My top 5 tips if you want to become a sketch artist and draw architecture/interior sketch commissions in Procreate”.

WATCH NOW (16 min)

Here is my latest architecture sketch commission I did for my client from the US:

✍️​ Quick links to my latest resources:

  1. Online course on Procreate interior sketching for beginners: here

  2. THE CLUB, my membership platform (Bringing sketching back to interior design)​, here

6 Major Styles of 19th-Century Furniture: From Neoclassical Splendor to Arts and Crafts Charm

The 19th century was a remarkable era for furniture design, marked by a rich tapestry of styles that continue to captivate us today. From the refined grace of Neoclassical pieces to the ornate splendor of Victorian creations, this century witnessed an evolution in design influenced by history, technology, and changing tastes.

Rococo Revival Chair. Drawing by Olga Sorokina from “Interior Sketching in Watercolour” Online Course

 

19th-century furniture encompasses a wide range of styles and designs that were popular during the 1800s. This century witnessed significant changes in furniture design and production techniques, influenced by historical events, social changes, and technological advancements.

 

Here are some key aspects of 19th-century furniture:


1. Neoclassical Furniture (Late 18th to Early 19th Century): The early 19th century saw the continuation of Neoclassical design, which drew inspiration from ancient Greek and Roman art and architecture. Furniture from this period often featured clean lines, classical motifs, and a sense of symmetry. Materials such as mahogany and rosewood were commonly used.

2. Regency Furniture (Early 19th Century): The Regency period, which roughly corresponds to the first quarter of the 19th century, was characterized by elegant and refined furniture design. Dark woods like mahogany were popular, and pieces often featured classical ornamentation, brass inlays, and decorative motifs.

3. Victorian Furniture (Mid- to Late 19th Century): The Victorian era, spanning most of the 19th century, was marked by a diversity of furniture styles due to the Industrial Revolution and changing tastes. Early Victorian furniture continued the Neoclassical tradition, while the mid- and late-Victorian periods saw the rise of various revival styles, including:

- Gothic Revival: Inspired by medieval architecture, Gothic Revival furniture featured pointed arches, tracery, and dark woods like oak.

- Renaissance Revival: Influenced by the Renaissance period, this style included ornate carvings, rich fabrics, and heavy, dark furniture.

- Rococo Revival: A revival of the Rococo style from the 18th century, characterized by elaborate ornamentation, curved lines, and light, pastel-colored woods.

4. Arts and Crafts Movement (Late 19th Century): In the latter part of the 19th century, a reaction against mass-produced, overly ornate furniture led to the Arts and Crafts movement. This movement emphasized craftsmanship, simplicity, and the use of natural materials. Furniture from this period was often handmade, featuring exposed joinery and a focus on functional design.

5. Eastlake Furniture (Late 19th Century): Named after the British designer Charles Eastlake, this style was influenced by the Aesthetic Movement and featured geometric shapes, incised decoration, and ebonized wood.

6. Art Nouveau (Late 19th to Early 20th Century): At the end of the 19th century, the Art Nouveau movement emerged, characterized by flowing, organic forms, sinuous lines, and motifs inspired by nature. Furniture of this period often featured curvilinear designs, intricate inlays, and materials like stained glass.

 

Key moments:

Innovations in Production: During the 19th century, advancements in manufacturing technology allowed for the mass production of furniture, making it more accessible to a wider range of people. This led to the production of simpler, more affordable furniture alongside high-end, handcrafted pieces.

Upholstery and Fabrics: Fabrics and upholstery styles also evolved during the 19th century. Jacquard-woven fabrics, floral patterns, and richly embroidered textiles were commonly used for upholstery, curtains, and drapery.

 

Overall, 19th-century furniture reflects the dynamic changes in design, technology, and societal influences that occurred during this century. It encompasses a wide range of styles, from the classical elegance of the early 19th century to the ornate eclecticism of the Victorian era and the innovative simplicity of the Arts and Crafts movement.

P.S. Please share this article with your friends on social media so more people can learn from it.

 
 

By Olga Sorokina

Contact: olga@schoolofsketching.com

Instagram @schoolofsketching


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